Holy Roman Empire-The Lounge Duree

Somewhat of a guilty pleasure band for me....anyway, the vocals are GODDAMN! They from Chicago.


HERE!!!!!

Sean Price-Jesus Price Supastar

Half of Heltah Skeltah and top 5 alive.

01. Intro (Jesus Price)
02. Like You
03. P-Body (Feat. Rock)
04. Cardiac (Feat. Buckshot, Rustee Juxx & Flood)
05. Stop
06. Violent
07. Da God (Feat. Sadat X & Buckshot)
08. Oops Upside Your Head (Feat. Steele)
09. Church (Feat. Rock & The Loudmouf Choir Church)
10. King Kong
11. One
12. You Already Know (Feat. Skyzoo)
13. Directors Cut
14. Let It Be Known (Feat. Phonte)
15. Hearing Aid (Feat. Chaundon)
16. Mess You Made (Feat. Block Mccloud Of Brooklyn Academy)


HERE!!!!!!!!
Ganked From: http://hothiphopalbums.blogspot.com/2008/07/sean-price-jesus-price-supastar-2007.html

Paris-Sonic Jihad

Political hip-hop from the Yay Area!

"Ave Bushani"
"Field Nigga Boogie"
"Sheep to the Slaughter "
"Spilt Milk" (featuring Capleton)
"Tear Shit up" (featuring Dead Prez)
"Freedom" (featuring Dead Prez)
"Ain't No Love" (featuring Kam)
"Lay Low"
"Life Goes On"
"You Know My Name"
"Evil"
"AWOL"
"Agents of Repression"
"What Would You Do"
"How We Do"
"Freedom" (The Last Call Remix) (featuring Public Enemy and Dead Prez)

HERE!!!!!!!!!!!
Ganked From: http://danef.blogspot.com/2008/06/paris-sonic-jihad2003.html

Poison Idea-Feel The Darkness

Poison Idea was formed in 1980 by vocalist Jerry A. (aka Jerry Lang). The initial lineup consisted of Jerry A., Tom “Pig Champion” Roberts (guitar), Glen Estes (bass), and Dean Johnson (drums). Inspired by Black Flag and other early Southern California hardcore acts, they were further influenced by Discharge and Los Angeles’s the Germs. Germs singer Darby Crash was a strong influence on singer Jerry A.—vocally, lyrically, and philosophically—was monumental, and Poison Idea followed the Germs’ extremist punk ethic.


HERE!!!!!
Ganked From: http://lucidmedia.blogspot.com/2008/02/poison-idea-feel-darkness.html

J Dilla-Unreleased Beats

James Dewitt Yancey (February 7, 1974–February 10, 2006), better known as J Dilla or Jay Dee, was an American hip hop producer and emcee, who emerged from the mid-1990s underground hip-hop scene in Detroit, Michigan. He began his career as “Jay Dee” but used the name “J Dilla” from 2001 on. Many critics believe J Dilla’s work to have had a major influence on his peers, and he perhaps embodied the neo soul sound, playing a defining yet understated role during the sub-genre’s rise (roughly from the mid-90s to the early 2000s).

HERE!!!

Boca Floja-manual de la otredad

HERE!!!!!

French Mourn Leisure Lost as 35-Hour Workweek Ends

Michel Guyot often takes a weekday off to go to the Sugiton limestone cliffs on the Mediterranean Sea in southern France to smell the thyme and listen to the cicadas. Those cherished moments may soon be history, he says.

The engineer for a Total SA venture at a port near Marseille says it's likely to be just a matter of months before his employer applies a law passed by France's parliament this week that may reduce time off for white-collar workers, or cadres, by as many as 17 days a year.

``It's a specter, a cloud over my head,'' said Guyot, 60. ``No more escapes to Sugiton to take a step back from work. This law will bring more stress, frustration and less productivity.''

Guyot, like other white-collar workers, is bracing for a dimming of their ``joie de vivre'' as President Nicolas Sarkozy pushes to keep a promise to ``restore the value of work.'' With the late night passage of the law on July 23, Sarkozy has rung the death knell of France's 35-hour workweek, undoing labor rules put in place a decade ago by the Socialist Party.

Under that system, blue-collar workers were limited to 35 hours a week on the job. Cadres received days off to compensate for working more than 35 hours a week, giving them total annual paid leave of about seven weeks, including vacation.

French employees' hours are the second-lowest in the Group of Seven industrialized countries, behind Germany, according to the Organization for Economic Cooperation and Development. The French worked an average 1,561 hours in 2007, 291 fewer than in 1979. American workers put in 1,794 hours, down 31 hours.

Boosting Growth

The new law, which lets companies negotiate working hours, overtime and compensatory time directly with employees, is part of Sarkozy's effort to counter a slump in economic growth and may come into effect in early September.

Since taking office last year, Sarkozy has blamed the 35- hour workweek for weakening French competitiveness. He fired his first salvo last year, allowing blue-collar employees to work more than the cap, in exchange for 25 percent more pay for additional hours. Companies were exempt from labor taxes for these hours.

The new law dismantles the final piece of the rule, allowing cadres and their employers to swap days off for more pay. It raises the upper-limit of working days to 235 a year from 218, paying cadres 10 percent more than their standard salary for each day above 218.

The Socialist Party and minority centrist groups asked France's Constitutional Council today to rule on whether the law breaches the ``social foundations'' of the Republic, Jean-Marc Ayrault, the party's leader in the National Assembly, said in an e-mailed statement.

Paris Street Protest

Many cadres -- who make up just over 15 percent of the working population -- are infuriated with the new law.

``Sarkozy is always asking for more, more productivity, more hours,'' Bernard Van Craeynest, president of their CFE-CGC union said. ``But eventually he'll see more sick leave, less motivation, more burnouts.''

More than 300 cadres from companies including France Telecom SA and steelmaker ArcelorMittal took to the streets of Paris on July 23 with banners saying, ``There's life beyond work,'' and ``It's my private life, I care.''

``Working more for those who want to is a right,'' said Eric Pigal, 44, a manager at Accenture Ltd. in Paris and a CFE- CGC union representative. ``But paid 10 percent extra? That's not enough.''

Life Balance

The French have paid for their extra time off. Average annual wages in France grew just 3.4 percent from 1995 to 2006, slower than the 4.7 percent rise in the U.K. French economic growth has lagged behind the U.K.'s every year since 2000.

``Having more leisure time and no money to make it worth it is like lying to yourself,'' said Michel Sapranides, who owns Pelatis SA, a 40-person electrical maintenance business near Paris. Sapranides says the new law will help his business expand faster. Most of his employees have offered to work more to earn more, he said.

Not everybody is so optimistic.

``The 35-hour week brought us a balance between working hard and having time to enjoy the fruits of our labor,'' says Patrick Lecuyer, 47, who is based in Toulouse and organizes assembly lines for Airbus SAS.

Lecuyer uses his compensatory days off for adventures, such as climbing Mount Kilimanjaro in Tanzania with friends in 2003.

``By breaking the system, companies may break white-collar employees' motivation,'' he said.

French white-collar workers earned an average of 3,855 euros ($6,045) a month after taxes in 2006, four times the minimum wage and twice the average private-sector income, according to the Paris-based Insee statistics institute.

Political Risk

Cadres were among the biggest Sarkozy supporters in the May 6, 2007, presidential election, with 52 percent voting for him, according to Paris-based pollster Ipsos. His approval rating among them dropped 23 points to 30 percent, it said this month.

``The 35-hour workweek was most favorable to the cadres because they had the money to enjoy their free time,'' said Jean-Francois Doridot, head of public opinion at Ipsos. ``There is a political risk in attempting to take it away.''

Guyot agrees.

``Sarkozy's desire is to awaken France and boost growth,'' he said. ``But for me, his plans sound more like a call for austerity than modernity.''

Cotto vs Margarito

Fight tonight! On right now!

Middle Class-Homeland

One of the first hardcore punk bands goes all dark post-punk on us.

http://www.frontierrecords.com/middleclass.html

Dillinger Four-Situationist Comedy

One of my (and apparently Avril's) favorite bands. Drunken, political, sarcastic, greAt!


1 Noble Stabbings!!
2 A Floater Left With Pleasure In The Executive Washroom
3 Fuzzy Pink Hand-Cuffs
4 The Father, The Son, And The Homosexual/Single Parent
5 Sell The House Sell The Car Sell The Kids Find Someone Else...
6 Folk SongClick to listen to this song
7 Fired-Side Chat
8 I Was Born On A Pirate Ship! (Hold Your Tongue)
9 D4=Putting The "F" Back In "Art"
10 All Rise For The Rational Anthem
11 Labour Issues In The Toy Department
12 File Under "Adult Urban Contemporary"
13 New Punk Fashions For The Spring Formal




HERE!!!!

The Jam-In The City

01 Art School (2:02)
02 I've Changed My Address (3:31)
03 Slow Down (2:39)
04 I Got By in Time (2:07)
05 Away from the Numbers (4:03)
06 Batman Theme (1:31)
07 In the City (2:19)
08 Sounds from the Street (3:14)
09 Non-Stop Dancing (2:28)
10 Time for Truth (3:10)
11 Takin' My Love (2:15)
12 Bricks and Mortar (2:37)

HERE!!!!!
Ganked From: AND.......

Cockney Rejects-Oi Oi Oi!

The Cockney Rejects are an Oi! punk band which formed in the East End of London in 1979.

1.-Bad Man
2.- I’m Not A Fool
3.-East End
5.-West Side Boys
6.-War On The Terraces
7.-Oi! Oi! Oi!
8.-The Rocker
9.-We Are The Firm
10.-We Can Do Anything
11.-Are You Ready To Ruck
12.-Hate Of The City
13.-Where The Hell Is Babylon
14.-Flares ‘n Slippers
15.-Police Car
16.-I Wanna Be A Star
17.-Dead Generation
18.-Man’s Life In The Army
19.-Motorhead
20.-Greatest Cockney Ripoff

HERE!!!!
Ganked From:

Stiff Little Fingers-Inflammable Material

Stiff Little Fingers are a punk band, originally based in Belfast, Northern Ireland, formed in 1977. They started out as a schoolboy band called Highway star, doing rock covers, until they discovered punk. They split up after six years, and four albums, although they subsequently reformed five years later, in 1987. Despite massive personnel changes, they are still touring and recording as of 2006.

1 - Suspect Device
2 - State of Emergency
3 - Here We Are Nowhere
4 - Wasted Life
5 - No More of That
6 - Barbed Wire Love
7 - White Noise
8 - Breakout
9 - Law and Order
10 - Rough Trade
11 - Johnny Was
12 - Alternative Ulster
13 - Closed Groove

HERE!!!!
Ganked From: YO!

4,000 US Combat Deaths, and Just a Handful of Images

Baghdad - The case of a freelance photographer in Iraq who was barred from covering the Marines after he posted photos on the Internet of several of them dead has underscored what some journalists say is a growing effort by the American military to control graphic images from the war. Zoriah Miller, the photographer who took images of marines killed in a June 26 suicide attack and posted them on his Web site, was subsequently forbidden to work in Marine Corps-controlled areas of the country. Maj. Gen. John Kelly, the Marine commander in Iraq, is now seeking to have Mr. Miller barred from all United States military facilities throughout the world. Mr. Miller has since left Iraq.

If the conflict in Vietnam was notable for open access given to journalists - too much, many critics said, as the war played out nightly in bloody newscasts - the Iraq war may mark an opposite extreme: after five years and more than 4,000 American combat deaths, searches and interviews turned up fewer than a half-dozen graphic photographs of dead American soldiers.

It is a complex issue, with competing claims often difficult to weigh in an age of instant communication around the globe via the Internet, in which such images can add to the immediate grief of families and the anger of comrades still in the field.

While the Bush administration faced criticism for overt political manipulation in not permitting photos of flag-draped coffins, the issue is more emotional on the battlefield: local military commanders worry about security in publishing images of the American dead as well as an affront to the dignity of fallen comrades. Most newspapers refuse to publish such pictures as a matter of policy.

But opponents of the war, civil liberties advocates and journalists argue that the public portrayal of the war is being sanitized and that Americans who choose to do so have the right to see - in whatever medium - the human cost of a war that polls consistently show is unpopular with Americans.

Journalists say it is now harder, or harder than in the earlier years, to accompany troops in Iraq on combat missions. Even memorial services for killed soldiers, once routinely open, are increasingly off limits. Detainees were widely photographed in the early years of the war, but the Department of Defense, citing prisoners' rights, has recently stopped that practice as well.

And while publishing photos of American dead is not barred under the "embed" rules in which journalists travel with military units, the Miller case underscores what is apparently one reality of the Iraq war: that doing so, even under the rules, can result in expulsion from covering the war with the military.

"It is absolutely censorship," Mr. Miller said. "I took pictures of something they didn't like, and they removed me. Deciding what I can and cannot document, I don't see a clearer definition of censorship."

The Marine Corps denied it was trying to place limits on the news media and said Mr. Miller broke embed regulations. Security is the issue, officials said.

"Specifically, Mr. Miller provided our enemy with an after-action report on the effectiveness of their attack and on the response procedures of U.S. and Iraqi forces," said Lt. Col. Chris Hughes, a Marine spokesman.

News organizations say that such restrictions are one factor in declining coverage of the war, along with the danger, the high cost to financially ailing media outlets and diminished interest among Americans in following the war. By a recent count, only half a dozen Western photographers were covering a war in which 150,000 American troops are engaged.

In Mr. Miller's case, a senior military official in Baghdad said that while his photographs were still under review, a preliminary assessment showed he had not violated ground rules established by the multinational force command. The official, who spoke on condition of anonymity because the investigation was ongoing, emphasized that Mr. Miller was still credentialed to work in Iraq, though several military officials acknowledged that no military unit would accept him.

Robert H. Reid, the Baghdad bureau chief for The Associated Press, said one major problem was a disconnection between the officials in Washington who created the embed program before the war and the soldiers who must accommodate journalists - and be responsible for their reports afterward.

"I don't think the uniformed military has really bought into the whole embed program," Mr. Reid said.

"During the invasion it got a lot of 'Whoopee, we're kicking their butts'-type of TV coverage," he said.

Now, he said the situation is nuanced and unpredictable. Generally, he said, the access reporters get "very much depends on the local commander." More specifically, he said, "They've always been freaky about bodies."

The facts of the Miller case are not in dispute, only their interpretation.

On the morning of June 26, Mr. Miller, 32, was embedded with Company E of the Second Battalion, Third Marine Regiment in Garma, in Anbar Province. The photographer declined a Marine request to attend a city council meeting, and instead accompanied a unit on foot patrol nearby.

When a suicide bomber detonated his vest inside the council meeting, killing 20 people, including 3 marines, Mr. Miller was one of the first to arrive. His photos show a scene of horror, with body parts littering the ground and heaps of eviscerated corpses. Mr. Miller was able to photograph for less than 10 minutes, he said, before being escorted from the scene.

Mr. Miller said he spent three days on a remote Marine base editing his photos, which he then showed to the Company E marines. When they said they could not identify the dead marines, he believed he was within embed rules, which forbid showing identifiable soldiers killed in action before their families have been notified. According to records Mr. Miller provided, he posted his photos on his Web site the night of June 30, three days after the families had been notified.

The next morning, high-ranking Marine public affairs officers demanded that Mr. Miller remove the photos. When he refused, his embed was terminated. Worry that marines might hurt him was high enough that guards were posted to protect him.

On July 3, Mr. Miller was given a letter signed by General Kelly barring him from Marine installations. The letter said that the journalist violated sections 14 (h) and (o) of the embed rules, which state that no information can be published without approval, including material about "any tactics, techniques and procedures witnessed during operations," or that "provides information on the effectiveness of enemy techniques."

"In disembedding Mr. Miller, the Marines are using a catch-all phrase which could be applied to just about anything a journalist does," said Joel Campagna, Middle East program coordinator for the Committee to Protect Journalists.

New embed rules were adopted in the spring of 2007 that required written permission from wounded soldiers before their image could be used, a near impossibility in the case of badly wounded soldiers, journalists say. While embed restrictions do permit photographs of dead soldiers to be published once family members have been notified, in practice, photographers say, the military has exacted retribution on the rare occasions that such images have appeared. In four out of five cases that The New York Times was able to document, the photographer was immediately kicked out of his or her embed following publication of such photos.

In the first of such incidents, Stefan Zaklin, formerly of the European Pressphoto Agency, was barred from working with an Army unit after he published a photo of a dead Army captain lying in a pool of blood in Falluja in 2004.

Two New York Times journalists were disembedded in January 2007 after the paper published a photo of a mortally wounded soldier. Though the soldier was shot through the head and died hours after the photo was taken, Lt. Gen. Raymond T. Odierno argued that The Times had broken embed rules by not getting written permission from the soldier.

Chris Hondros, of Getty Images, was with an army unit in Tal Afar on Jan. 18, 2005, when soldiers killed the parents of an unarmed Iraqi family. After his photos of their screaming blood-spattered daughter were published around the world, Mr. Hondros was kicked out of his embed (though Mr. Hondros points out that he soon found an embed with a unit in another city).

Increasingly, photographers say the military allows them to embed but keeps them away from combat. Franco Pagetti of the VII Photo Agency said he had been repeatedly thwarted by the military when he tried to get to the front lines.

In April 2008, Mr. Pagetti tried to cover heavy fighting in Baghdad's Sadr City. "The commander there refused to let me in," Mr. Pagetti said. "He said it was unsafe. I know it's unsafe, there's a war going on. It was unsafe when I got to Iraq in 2003, but the military did not stop us from working. Now, they are stopping us from working."

James Lee, a former marine who returned to Iraq as a photographer, was embedded with marines in the spring of 2008 as they headed into battle in the southern port city of Basra in support of Iraqi forces.

"We were within hours of Basra when they told me I had to go back. I was told that General Kelly did not want any Western eyes down there," he said, referring to the same Marine general who barred Mr. Miller.

Military officials stressed that the embed regulations provided only a framework. "There is leeway for commanders to make judgment calls, which is part of what commanders do," said Col. Steve Boylan, the public affairs officer for Gen. David H. Petraeus, the top commander in Iraq. For many in the military, a legal or philosophical debate over press freedom misses the point. Capt. Esteban T. Vickers of the First Regimental Combat Team, who knew two of the marines killed at Garma, said photos of his dead comrades, displayed on the Internet for all to see, desecrated their memory and their sacrifice.

"Mr. Miller's complete lack of respect to these marines, their friends, and families is shameful," Captain Vickers said. "How do we explain to their children or families these disturbing pictures just days after it happened?"

Mr. Miller, who returned to the United States on July 9, expressed surprise that his images had ignited such an uproar.

"The fact that the images I took of the suicide bombing - which are just photographs of something that happens every day all across the country - the fact that these photos have been so incredibly shocking to people, says that whatever they are doing to limit this type of photo getting out, it is working," he said.

--------

Michael Kamber reported from Baghdad, and Tim Arango from New York.

no more

nothing

Calle 13- Residente o Visitante

Calle 13 is a Puerto Rican hip-hop duo formed by two brothers who call themselves Residente (lead singer, writer) and Visitante (pianist, vocals, writer). Their sister (Ileana, aka PG-13) has contributed to several of their songs. They named themselves Calle 13 after the area where they grew up in Trujillo Alto.

The duo rose to fame in 2005 with two back-to-back hits on Puerto Rican radio stations, first one being Se Vale To To and Atrevete-te-Te!. Another song, the controversial Querido FBI, that was not intended to be on their first release was written by the group’s lead singer after the death of Filiberto Ojeda Ríos (leader of Puerto Rican revolutionary group, Los Macheteros). The duo was criticized by those who believed the lyrics promoted violence against the authorities, but the group insisted the song wasn’t meant to be taken literally.

After their rise to fame, the duo was sought by other reggaeton artists, and they collaborated with artists such as Voltio in the song Chulin Culin Chunfly, and with the Three 6 Mafia in the remix, singing or co-writing songs. At the end of 2005, they released their first album, Calle 13, to much critical praise.

In December 2005, the Governor of Puerto Rico, Anibal Acevedo Vilá, admitted to listening to the duo when his son got him some of their songs on his iPod. This prompted him to invite them to La Fortaleza and to have them record a song against shootings bullets in the air during New Years Eve celebrations.

01 Intro
02 Tango Del Pecado
03 La Fokin Moda
04 Sin Exagerar
05 Mala suerte Con el 13
06 Llegale A Mi Guarida
07 Un Beso De Desayuno
08 Uiyi-guaye
09 Algo Con Sentido
10 Me Voy Pal Norte
11 Cumbia De Los Aburridos
12 A Limpiar El Sucio
13 El Avion Se Cae
14 La Crema
15 La Era De La Copiaera

HERE!!!!

King Tubby-Essential Dub

Legendary dub. Good music to chill to, smoke to or cruise to. It's also good when it's 110 degrees out...

1. Silver Bullet
2. Better Version
3. King Tubby's Conservation Dub
4. Psalms Of Dub
5. Rebel Dance
6. Sir Niney's Rock
7. Straight To The Boy Niney Head
8. Casanova Dub
9. Bongo Man Dub
10. Barbwire Disaster
11. Rougher Version
12. Natty Dread Girl
13. Natty Version
14. Don't Cut Off Your Dreadlocks
15. Poor Barber
16. Jehovah Version
17. Move Out Of Babylon



HERE!!!!

Husker Du-Land Speed Record

Fast, loud, sloppy, almost never stopping live record from one of the top 80's hardcore bands. My favorite HU album.

1) All Tensed Up
2) Don't Try To Call
3) I'm Not Interested
4) Guns At My School
5) Push The Button
6) Gilligan's Island
7) Don't Have A Life
8) Bricklayer
9) MTC
10) Tired Of Doing Things
11) You're Naive
12) Strange Week
13) Big Sky
14) Do The Bee
15) Ultracore
16) Let's Go Die
17) Data Control

HERE!!!

Immortal Technique - The 3rd World

Besides the bullshit Truther/Conspiracy stuff, some good solid political hip-hop. The beats finally do dude some justice as well.

01. Death March
02. That's What It Is
03. Golpe De Estado (Feat. Temperamento y Veneno)
04. Harlem Renaissance
05. Lick Shot (Feat. Crooked I & Chino XL)
06. Apocrypha
07. The 3rd World
08. Hollywood Driveby (Feat. PsycoRealm & Sick Symphonies)
09. Reverse Pimpology (Feat. Mojo)
10. Open Your Eyes
11. Payback (Feat. Diabolic & Ras Kass)
12. Adios Uncle Tom (Skit)
13. Stronghold Grip (Feat. Poison Pen & Swave Sevah)
14. Mistakes
15. Parole (Evil Genius Mix)
16. Crimes Of The Heart (Feat. Maya Azucena)

HERE!!!!

Buckshot & 9th Wonder-The Formula

The second album from these two, and I think the far superior one. I don't know, on Chemistry, 9th's beats started to sound all the same...

01. Intro (Feat. The Formula Crew)
02. Ready (Brand New Day)
03. Be Cool (Feat. Swan)
04. Go All Out (Feat. Carlitta Durand)
05. No Future 2008
06. Hold It Down (Feat. Talib Kweli & Tyler Woods)
07. Whassup With U (Feat. Keisha Shontelle)
08. Only For You (Lou)
09. Just Display
10. Here We Go
11. Throwing Shade
12. Shinin' Y'All (Feat. Arafat Yates & Big Chops)
13. Man Listen

HERE!!!!!

Masta Ace-A Long Hot Summer

01 02:03 The Count
02 03:02 Big City Produced By Dug Infinite
03 03:47 Good Ol Love Produced By 9th Wonder
04 00:39 Fats Belvedere
05 03:28 Da Grind Ft. Apocalypse Producuced By Khrysi
06 03:46 H.O.O.D. Produced By D.A.M.S.
07 00:54 The Stoop
08 04:24 Beautiful Produced By Koolade Croatia
09 03:35 F.A.Y. Ft Strick Produced By Dr Period
10 00:36 Fats Crib
11 04:13 Soda And Soap Ft. Jean Grae Produced By DJ Spinna
12 02:56 Do It Man Ft. Big Noyd Produced By Marco Polo
13 04:19 Brooklyn Masala Ft Leschea Produced By Xplicit
14 01:39 The Proposition
15 03:52 Travelocity Ft Punch And Words Produced By D.A.M.S.
16 03:28 The Ways Produced By DJ Serious
17 04:12 Wutuwanko Ft Ed O.G. Prouduced By Dug Infinite
18 01:08 The After Party
19 03:51 Oh My God Ft The Beatnuts And Rahzel Prod By Xplicit
20 01:17 Cellmate
21 03:51 Revelations Produced By Masta Ace
22 02:38 Out Takes (Bonus Track)
HERE!!!!!!!

The Slits-Cut

1. Instant Hit (2:43)
2. So Tough (2:41)
3. Spend, Spend, Spend (3:18)
4. Shoplifting (1:39)
5. FM (3:35)
6. Newtown (3:48)
7. Ping Pong Affair (4:16)
8. Love Und Romance (2:27)
9. Typical Girls (3:57)
10. Adventures Close To Home (3:28)
11. I Heard It Through The Grapevine (3:59)
12. Liebe And Romanze (Slow Version) (4:44)

HERE!!!!!!!!!!!!!

Chumbawamba - Anarchy

Tracklist:

Give The Anarchist A Cigarette
Timebomb
Homophobia
On Being Pushed
Heaven-Hell
Love Me
Georgina
Doh!
Blackpool Rock
This Years Thing
mouthfull of shit
Never Do What You Are Told
Bad Dog
Enough Is Enough
Rage

HERE!
Ganked From: !!!

Killer Mike-I Pledge Allegiance to the Grind II

mixture of hardcore street gospel, revolutionary spirit and positive vibes

01. Intro 02:31
02. 10 G’s 03:27
03. Can You Hear Me 03:24
04. 2 Sides (feat. Shawty Lo) 03:29
05. Pressure (feat Ice Cube) 05:33
06. Big Money, Big Cars (feat. Chamillionaire & Messy Marv) 05:02
07. God in The Building 04:25
08. Super Clean/Super Hard (feat. 8Ball & MJG) 05:40
09. Woke Up This Mornin’ 04:16
10. Bang! 03:48
11. Grandma’s House 05:15
12. If I Can’t Eat Right (feat. Gangsta Pill & Rochelle Fox) 05:24
13. I Gotcha 04:11
14. I’m The Shit!!! 04:24
15. Can You Buy That feat Rock D 03:48
16. You See It (feat. S.L. Jones) 04:18
17. Good-Bye (City Of Dope) 05:05
HERE!

KMD-Black Bastards

The legendary forgotten classic!

KMD was a rap group from the early 90s. The members include: Zev Love X (a.k.a. MF DOOM, Viktor Vaughn & King Geedorah), Subroc (Zev Love X’s deceased brother), and Onyx The Birthstone Kid.

KMD released their first album Mr.Hood on Elektra in 1991. A nearly impossible to find release (although since has been re-issued in Oct. 2006), Mr. Hood preached power and positivity, with obscure samples from Sesame Street found throughout the album, and saw future Metal-Faced-Villain Zev Love X in a uniquely different light. Two years later Subroc would be killed in a car accident forcing the promising MC, Zev Love X into the underground where he would later emerge as the tortured soul MF DOOM. With Onyx having left the group, controversial artwork by Zev, and Subroc’s unfortunate death, the release of their second lp “Bl_ck B_st_rds” seemed improbable and was shelved by Elektra fearing negative media coverage due to the recent ‘Cop Killer’ song by Ice-T’s group Body Count. The cover art for the album had sparked worries in Elektra’s board room. After years of bootlegs, “Bl_ck B_st_rds” finally saw the light of day in 2001 on the Subverse record label.

1. Garbage Day #3
2. Get-U-Now
3. What A Nigga Know?
4. Sweet Premium Wine
5. Plumskinzz (Loose Hoe, God & Cupid)
6. Smokin' That S*@%!
7. Contact Blitt
8. Gimme!
9. Black Bastards!
10. It Sounded Like A Roc!
11. Plumskinzz (Oh No I Don't Believe It!)
12. Constipated Monkey
13. F*@# Wit' Ya Head!!
14. Suspended Animation
15. What A Nigga Know? Featuring MF Grimm (Remix)
16. Q3

HERE!